1981, Julie enrolled at the Nancy School of Fine Arts, specializing in interior architecture with a focus on metalwork. During those three years, she felt a stronger affinity for the fine arts departments and developed a growing interest in Theater. After obtaining her degree in interior architecture, she headed to the Villa Arson in Nice to dedicate herself to set design.

1986, armed with a *Diplôme National Supérieur d’Expression Plastique* (specializing in set design) from the Villa Arson in Nice, Julie moved to Paris. She began by sketching what she saw in the Theater world, seeking to immerse herself as deeply as possible in the atmosphere of the plays she was working on as a set designer.

Her interactions with the people of the Theater world gave rise to new characters and stories; through sketching them, she soon began to create her own unique worlds. Her first exhibition took place in June 2002 at the Galerie Christian Siret in the gardens of the Palais Royal. Many exhibitions followed; while she never abandoned dry pastels and graphite, her choice of wood supports evolved, formats grew larger, and her graphic style increasingly resembled painting.

The year 2008 concluded with an exhibition at the Sorbonne; in the magnificent Galerie Soufflot, visitors could view both Julie’s most recent paintings and earlier works. Having spent some time combining paint and pastel on her preferred medium—wood—she eventually chose a more "classic" approach: acrylic paint on canvas, without, however, completely abandoning pastels. Throughout 2010 and 2011, she once again divided her time between creating paintings and designing sets. In March, she returned to the Denfert Rochereau gallery space to exhibit her canvases; concurrently, she collaborated with Alfredo Arias on the set design for Van Cleef & Arpels’ "Jules Verne" event at the Grand Palais’ Biennale des Antiquaires—a design she also oversaw for the presentation at Art Dubai. In late 2011, Julie’s paintings traveled to Lille for the "10th edition of the art event" spanning the Nord and Pas-de-Calais departments and the province of West Flanders, and subsequently to Angoulême for the "Women Artists" exhibition at the Domaine de Montboulard.

2012, Julie returned to work with Van Cleef & Arpels on various events; in June, the YO Gallery in Nancy hosted her work in a stunning indoor and outdoor space. In 2013, Julie took part in several exhibitions: the Grand Marché d'Art Contemporain at Place de la Bastille in May, and the 56th European Exhibition at Prüm Abbey in Germany during July and August. In November, the Museum of Art and History in Toul—located just a stone's throw from Nancy—provided a space for her to exhibit her work for four months.

2014: A few weeks after the exhibition at the Museum of Art and History in Toul, Julie once again participated in the Grand Marché d'Art Contemporain at Bastille in May.

2015: In March, Julie was invited by Crédit Mutuel Bank to hold an exhibition; then, in September, she took part in the inaugural "L'Art de rien… chacun son talent" festival in Vitry-aux-Loges, near Orléans. At the end of 2015, Julie exhibited at the Art and Creation Center in Aulnay-sous-Bois.

2016: Following the exhibition at the Aulnay Art Center, her painting "Tatouages" was selected for display in museums and art centers across China throughout 2016. In February, she exhibited in the heart of Lille at a historic venue, the Palais Rihour.

2017: Julie began the year by participating in the International Contemporary Art Fair at Porte de Versailles.

2018 In April, she exhibited at the Concept Store Gallery, a contemporary art gallery located in the heart of La Baule. In late November, a new two-week exhibition took place at the Concept Store Gallery on Rue Dauphine in Paris's 6th arrondissement.

2019 In April, Julie exhibited once again at the Concept Store Gallery in Paris. In September, she participated in the "Prix Denfert"; the lawyers at this firm organized an event open to all artists who had exhibited there since 1995. The event's theme was "IN’JUSTICE."

2020 In July, Julie became a permanent artist at the Galerie Barissardo in La Ciotat and held an exhibition there in October/November.

2021 In August, Julie participated in the exhibition for permanent artists at the Galerie Barissardo in La Ciotat.

2022 In May, Julie took part in the "Entrez, c'est ouvert" (Come in, we're open) open-studio event in the town of Fontenay-sous-Bois, exhibiting around thirty canvases. In late June, she returned to the Denfert Rochereau law firm to hang her paintings, which remained on display in those beautiful spaces until the end of October. In August, she exhibited about twenty canvases at the Galerie Barissardo in La Ciotat. In late October, Julie participated in the "Petits Formats 30/30" (Small Formats 30x30) exhibition at the Galerie Barissardo.

2023 In May, Julie takes part in the "Entrez c'est ouvert" (Come In, We're Open) open studio event in Fontenay-sous-Bois, exhibiting in a new space: La Nef Roublot. In July, her paintings travel to La Ciotat to be displayed at the Galerie Barissardo. In September, some of these works are selected for a major art event in Fontenay-sous-Bois: ART-CITÉ. At the end of September, the pieces "À travers" and "Sur le fil" are included in the "Âme de femme" (Woman's Soul) exhibition at the Galerie Barissardo in La Ciotat.

2024 In May, Julie once again participates in the "Entrez c'est ouvert" open studio event in Fontenay-sous-Bois at La Nef Roublot. In August, she returns to the south—specifically La Ciotat—to exhibit at the Galerie Barissardo.

2025 In May, new paintings are hung on the walls of La Nef Roublot for the "Entrez c'est ouvert" open studio event in Fontenay-sous-Bois. In June, Julie joins the "Ohého" association and takes part in the "LandArt Festival" in the Parc des Carrières in Fontenay-sous-Bois. In August, she exhibits once again at the Galerie Barissardo in La Ciotat.

2026 The events Julie participates in this year are similar to those of the previous year; however, for the "Entrez c'est ouvert" open studio event at La Nef Roublot in Fontenay-sous-Bois, she exhibits older works—dry pastels on wood—some of which had not left her studio in twenty years. In June, during the LandArt Festival in the Parc des Carrières, other canvases emerge from obscurity to be hung among the trees. In late July, her latest creations head to the coast for a two-week exhibition at the Galerie Barissardo in La Ciotat. Alongside her exhibitions and the creation of her artworks, Julie teaches at the CFPTS (Centre for Performing Arts Technical Training) and the École des Arts Décoratifs in Paris, and works on various events as a set designer.